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Archive Pages

  • NEA Arts Ed Standards & Assessment Webcast
  • Call for Nominations--MEJ Committee, Advisory Board
  • A Musical Mason in Boston—and Cincinnati
  • Music Standards Down the Track
  • Call for Nominations—MERC, JRME, and Update
  • Take Time to Plan Your Day
  • Call for Nominations--JMTE Editorial Board
  • Music Is Good for You at Any Age
  • Music Learning Research—Two New Books
  • Roots and Blooms--Gifts to Share
  • We Can Begin Again
  • Fall-Winter 2011 Update Now Online
  • Seven Qualities of Great Learners
  • Teaching in Challenging Conditions, Part 1
  • College Board and Arts Standards Revisions
  • Assessment and Accountability
  • Four Benefits of Music Study
  • Call For Papers And Sessions 2012
  • Philosophy + Advocacy = Success
  • What’s Your Music Education Philosophy?
  • Smart Students Study Music
  • Social Intelligence and Music Teaching
  • Can Breathing Techniques Help Music Learning?
  • Change Is Here to Stay
  • 2008 Arts Restricted-Use Data Now Available
  • Review a Book for Music Educators Journal
  • Humorous Response to Shuler's 'Principles' Piece
  • April Swings with Jazz Resources
  • Do You Know Your State MEA Officials?
  • Teaching Students to Use Music Notation Software
  • Does Knowing About Research Help Teachers?
  • Five Nonmusical Ways to Streamline Rehearsals
  • The Universal Teacher--Looking Back to 1923
  • Music In Our Schools Month 2011
  • Digital Music Stands and Sight-Reading
  • What Contributes to Persistence in Practice?
  • ISME 2012 Conference in Thessaloniki, Greece
  • Music Advocacy at the Mall
  • When Repetition Isn’t the Best Practice Strategy
  • Performance Stress and the Very Young Musician
  • Music Is for All of Us—at All Ages
  • The Chills and Thrills of Music
  • Moments in Music Education History
  • MENC/SRME Call for Research Project Proposals
  • High School Music = College Success
  • The Model Conductor
  • Teachers Can Make a Difference
  • What Makes a Master Teacher?—Part 2
  • What Makes a Master Teacher?—Part 1
  • Who Isn’t a Special Learner?
  • What Does a Music Supervisor Do?
  • Help Your Administrator Become a Better Evaluator
  • Submit an Article to Music Educators Journal
  • Vocal Maturation in Male Adolescents
  • Hearing Both Sides of an Issue
  • Math and Music Are Learning Partners
  • Coursepacks from MENC Journals
  • Take Time to Map out Your Day
  • Is the Clock Ticking You Off?
  • Essential Skills for Music Educators, Part 2
  • Essential Skills for Music Educators, Part 1
  • Music Teachers Go the Extra Mile for Students
  • Children’s Music Learning in The Gambia
  • NEA Assessment of Student Learning Research Project
  • Assessment Practices of Secondary Music Teachers
  • How Green Is Your Music Program?
  • The Value of Professional Organizations
  • More U.S. Schools Have String Programs, Says NSPC
  • More than Just Music
  • Some Proven Keys to Urban School Success
  • Who Ya Gonna Call? Resources for New Teachers
  • Report Details NCLB’s Effect on Art Education
  • Smithsonian Folkways—A Resource for All
  • Effective Meetings, Part 3—Process
  • Effective Meetings, Part 2—Objectives
  • Effective Meetings, Part 1—Time
  • Growing New Music Teachers
  • Swedish Study: Improvisation Is a Complex Skill
  • Five Tips for Holiday Sanity
  • Teaching Music to Children with Autism
  • Do You Have an Anecdote to Share to Support Music?
  • How Does Rest Affect Performance?
  • MENC Member Remembers Zoltán Kodály
  • Make Your Case—A Music Resource for Everyone
  • Lessons from Grad School, Part 2
  • Lessons from Grad School, Part 1
  • Changing Traditions and Attitudes for Success
  • Eyes on the Prize—and Compartmentalize
  • Great Lesson Plans from Grad Students
  • Revising the Adjudication Process in Michigan
  • Preservice Teachers and Special Needs Students
  • Twenty-First-Century Skills and the Music Teacher
  • Summer Suggestions for a More Efficient Fall
  • Summer: Time to Reenergize!
  • Expressive Conductors = Higher Ensemble Ratings
  • Iowa MENC Member Demonstrates that Practice Pays
  • New Report Encourages Arts Study
  • The National High School Orchestra, 1926-38
  • Enough Instruction Time for the Arts?
  • A More Diverse Music-Teaching Force
  • Four Web-Writing Tips
  • An Important Partner: The Music Dealer
  • Intercollegiate Partnerships: Share a Wealth of Ideas
  • The Most Critical Music Ed Partnership
  • Partnerships in Music Teacher Education
  • A Positive View of College Music Study
  • Six Tips for Effective Oral Communication
  • Think Positive: Your Attitude Makes a Difference
  • Get Your Best Lesson on 'My Music Class'
  • Make Music Ed Programs Useful
  • Take 5! More Time for a Music Ed Degree
  • Five Characteristics of an Effective Mentor
  • Three Conflict-Resolution Tips Teachers Should Know
  • Music in Campaign Ads
  • An Array of Recorder Methods
  • Why Not a 4.5-Year Music Ed Program?
  • Music Education Degrees -- Four Years or Five?
  • Portfolios: Versatile Tools for Teachers
  • Learning by Doing Increases Confidence
  • Get Your Musicians Out in the Community!
  • How is a Concert Band Like a Basketball Team?
  • Seven Tips for Greater Financial Stability
  • De-Stress for Success
  • For Great Conducting, Know the Score
  • MENC: A Century of Service to Music Education
  • Effective Administration: Think Ahead, Give it Your Best
  • 17 Tips for Effective Leadership in Any Field
  • What Makes a Good Leader?
  • Respect Other Cultures, but Don't Forget Your Own
  • Advice to Young Teachers: "Be Kind"
  • Why Do Researchers Do Research?
  • Women's Bands Paved the Way for Today's Musicians
  • Sleep Enhances Memory (but Don't Overload the Brain)
  • Flexibility at All Times
  • What Makes a Great Teacher?


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